The Mills of the Gods: Viet Nam
1965-12-05 | Documentary
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A documentary on the war in South Vietnam shot entirely on location. There is no narration and no use of archive footage. The participants speak for themselves. The filmmakers spend time with units from many services: army, tanks, marines, ARVN, air cavalry. They accompany an air force napalm and strafing attack on a Viet Cong bunker complex. There are many scenes both of Saigon streets and of peasant village life. Soldiers speak of their experiences and their mission to fight Communism in Vietnam. One American informant says that the Vietnamese peasant is not interested in ideology, but in social justice, a piece of land, fair taxation, and to be left alone. Some interviews are used as voice-over. Participants, American and Vietnamese, are very natural, with little or no posturing for the camera. There are scenes of dead Viet Cong, and one showing a VC suspect being drowned to aid interrogation.
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49%
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The Mills of the Gods: Viet Nam FAQ
The director of The Mills of the Gods: Viet Nam is Beryl Fox.
The runtime of The Mills of the Gods: Viet Nam is 56 minutes.
The genre of The Mills of the Gods: Viet Nam is Documentary.
On October 04, 2024, the IMDB rating of The Mills of the Gods: Viet Nam is 8.0/10, Rotten Tomato rating is 0/100, Metacritic rating is 0/100, TMDB rating is 0.0/10.
The release date of The Mills of the Gods: Viet Nam is December 05, 1965.
On October 04, 2024, there were 1648 public reaction to The Mills of the Gods: Viet Nam including with mercenaries, low-key approach, Aerial Combat, pathological, delusional.
A documentary on the war in South Vietnam shot entirely on location. There is no narration and no use of archive footage. The participants speak for themselves. The filmmakers spend time with units from many services: army, tanks, marines, ARVN, air cavalry. They accompany an air force napalm and strafing attack on a Viet Cong bunker complex. There are many scenes both of Saigon streets and of peasant village life. Soldiers speak of their experiences and their mission to fight Communism in Vietnam. One American informant says that the Vietnamese peasant is not interested in ideology, but in social justice, a piece of land, fair taxation, and to be left alone. Some interviews are used as voice-over. Participants, American and Vietnamese, are very natural, with little or no posturing for the camera. There are scenes of dead Viet Cong, and one showing a VC suspect being drowned to aid interrogation..