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We Spin Around the Night Consumed by the Fire

1978-03-12 | Documentary
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A Latin palindrome is the title of Guy Debord's last film, in which he, as narrator, explains that he will make neither concessions to the tastes of his viewers nor to the dominant ideas of his day. After extensively insulting the audience that goes to the cinema to forget its heteronomous life, the film becomes autobiographical, using images from the world of spectacle: advertising brochures, clips from feature films (Les enfants du paradis), comics, aerial footage of Paris, tracking shots through Venice, photographs of friends – all commented on by Debord, with an at times melancholy undertone: "This Paris no longer exists." His assessment is that one of the great pleasures of his life has been the sensation of the passage of time, and as a witness to the disintegration of social order, he has loved his epoch.

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Negative 38%

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We Spin Around the Night Consumed by the Fire FAQ

The runtime of We Spin Around the Night Consumed by the Fire is 100 minutes.
On October 04, 2024, there were 926 public reaction to We Spin Around the Night Consumed by the Fire including unwholesome, backstabbing, repellent, voice gets on nerves, religious zealot.
The casts of We Spin Around the Night Consumed by the Fire are Erkan Duygu starring as Atesin etrafinda donen kiz.
The genre of We Spin Around the Night Consumed by the Fire is Documentary.
On October 04, 2024, the IMDB rating of We Spin Around the Night Consumed by the Fire is 7.5/10, Rotten Tomato rating is 0/100, Metacritic rating is 0/100, TMDB rating is 6.0/10.
The release date of We Spin Around the Night Consumed by the Fire is March 12, 1978.
A Latin palindrome is the title of Guy Debord's last film, in which he, as narrator, explains that he will make neither concessions to the tastes of his viewers nor to the dominant ideas of his day. After extensively insulting the audience that goes to the cinema to forget its heteronomous life, the film becomes autobiographical, using images from the world of spectacle: advertising brochures, clips from feature films (Les enfants du paradis), comics, aerial footage of Paris, tracking shots through Venice, photographs of friends – all commented on by Debord, with an at times melancholy undertone: "This Paris no longer exists." His assessment is that one of the great pleasures of his life has been the sensation of the passage of time, and as a witness to the disintegration of social order, he has loved his epoch..