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Episode

Here's why cosmetics should come in unbreakable bottles (1987)

Molly's mother introduces Molly, talks about her divorce 3 years ago and a bit about her life now. In the elevator, Molly reads Davey her new poem. Molly arrives at her job at Dennis Widmer's real estate agency. She's been having an affair with him and confronts him for not telling her he was married, which she's just discovered through an anonymous phone call. Molly sells a condo to a rich Indian guy, Birmanyi. Molly has lunch with her mother. Her mother complains about Molly's father retiring and doing nothing more than sitting on the barcalounger and about her brother living on an Indian reservation. She compares Molly with her sister, who's married with kids. In the elevator, Davey offers literary criticism. Later Molly plays piano and her ex-husband Fred uses his apartment key and comes in to listen. We find out that Molly is 33. Fred tells Molly that he's getting married. Molly takes a shower and breaks a cosmetic bottle (thus the episode title).

Here's why cosmetics should come in unbreakable bottles poster

Writer: Jay Tarses

Here's why there are instances when vegetables aren't necessarily good for you (1987)

Begins with Molly writing a poem in the park and her mother's commentary about being uncomfortable with the sensualness of her poems. The door across the hall from her apartment opens and closes and Molly yells at it that inhabitants have been spying on her for years. Davey lets her on the elevator with a load of pregnant women and comments on her biological clock. Her mother is waiting in the lobby and talks with Molly about her irritation with Molly's father. Biranyi (Bill) signs on the condo and asks Molly out for dinner. Molly quits her job. She goes to a jazz club to hear Fred play. (He's a sax player.) She has a flashback to meeting him. He introduces his fiancee, Kirsten. Molly has dinner with Bill. She gets spinach in her teeth (thus the title).

Here's why there are instances when vegetables aren't necessarily good for you poster

Writer: Jay Tarses

Here's why you should stay out of coffee shops if you don't drink coffee (1987)

Intro: Florence narrates as Molly waits for a job interview at an advertising agency. Molly meets her garbage man, Nick Donnatello, played by the show's creator, Jay Tarses; Nick asks her on a date and she declines. Davey tells her that Fred visited in the morning and that her mother is upstairs waiting for her. Molly's mother is cleaning her cabinets and tells Molly that she's staying over and going to a doctor for tests the next day but she won't talk about what kind of tests. No one but Molly knows that she's going for tests. Fred calls and asks Molly to meet him. Molly meets him at the planetarium, where he's composing music for a planetarium show. He asks for her help. He's convinced that an album and fame and fortune will follow. She refuses to help. Fred invites her for coffee at Spiro's and she goes along. It is apparently ""their"" old place; people greet them as if they're still a couple. The guys from the ""old gang"" (The Fred Dodd Quintet?) show up. Molly greets them as she le

Here's why you should stay out of coffee shops if you don't drink coffee poster

Writer: Bob Brush

Here's why you should never wear high heels to the bank (1987)

intro: Fred plays sax as Florence narrates, talking about Molly's love of music and Molly's father's musical career Florence continues narrating, explaining that she's fine and will be back, as Molly gets in a cab to go home from a composition setting. Molly sees Nick and they talk; he hits on her. Molly tells Davey that her mother is lost; she isn't in the hospital and can't be found but left a message saying she's fine. When she gets in her apartment, there's another message that her mother is fine. Fred calls. Molly goes to his apartment. She and Fred argue. The phone rings; it's Kirsten. Molly is at a recording session with the whole band. Alex, the trumpet player, freezes up. A woman in the sound booth comes on to Fred. Molly goes to a restaurant with Alex. Molly goes to the Waldorf-Astoria and knocks on a door; her mother answers. Florence explains that something happened to her in the hospital and she's considering her life. Molly goes back to the studio and Fred says he can't p