2 Seasons

Episode

Writer: Bryce Zabel

Souled Out (1998)

Draven finds the man who ordered his and Shelly's murders, but as he uncovers the truth is he strong enough to battle an evil that seems to have the same supernatural powers he possesses as The Crow? Draven's battle with the gang of contract killers has left his old club, The Blackout, in shambles. The badly beaten gang boss and club manager is in the hospital under psychiatric care, babbling incoherently about the dead returning from the grave. The rest of his gang is also under arrest but Draven is no closer to knowing who ordered his death. While at The Blackout, Draven hears the song he sang for Shelly on the night they died being played by his old band. Although never written down, the song is now owned by the band's new recording company, Reyes International, which also has an interest in the club. Draven thinks this is the key to the murders, and while at the company's corporate offices he runs into the head of the recording company, Mace Reyes, who appears to be an invalid, and

Writer: Bryce Zabel

Get a Life (1998)

In the Land of the Dead, Shelly meets a young woman, Elise Franklin (Ingrid Kavelaars), whose fiance has been framed for her murder. Draven, meanwhile is about to be evicted from the loft he and Shelly shared when she communicates the injustice to him. The loft is obviously a link-point between their two worlds and must be saved at all costs. Detective Albrecht, who has formed an uneasy alliance with Draven, advises him to ""get a life and pay the rent,"" so when India Reyes (Julie Dreyfus) offers him a job at the Blackout Club, he agrees. Draven sets out to find justice for Gil Hedges (Peter Fleming) and expose the real murderer, the dead woman's father, John T. Franklin (Donnelly Rhodes). After Draven establishes Hedges' innocence, Elise is freed to move on to the Light and asks Shelly to join her. Shelly, however, isn't ready to leave -- she is waiting for Draven.

Directed By: T. W. Peacocke
Writer: Brad Markowitz

Like It's 1999 (1998)

Detective Albrecht investigates a series of violent home invasions that look more like parties than robberies. He asks Draven to keep his ears peeled at the Blackout for any talk that could lead to a clue. Sarah turns out to hold the real key, however, through her friend, Kyle Barber. Kyle is deeply involved with a nihilistic cult of disenfranchised kids who are being manipulated by a charismatic, sociopathic leader, Shane Gant (J.R. Bourne). He uses the coming Millennium as a powerful control mechanism, urging his followers to believe in nothing but himself. Draven, a man who also has good reason to believe in nothing, is forced to put aside his own alienation. By exposing the leader, he manages to set free the followers, giving them hope in their otherwise hopeless lives.

Voices (1998)

A day at the carnival with Sarah brings Draven closer to Shelly when he meets a teenage trance-medium who may be unwittingly involved in murder. A day at the Carnival brings back painful memories for Draven of one of his first dates with Shelley. At the fair, he and Sarah stumble across a young trance-medium whose handlers claim he can channel dead spirits. Jesse (Brendan Fletcher), a sad, exploited teenager, actually has the powers he claims. He connects with Shelly who has a message for Draven -- that he must continue to ""set things right"" as a way of finally clearing the slate to allow the two of them to be together. Draven thinks he has found the means of reaching Shelly always, but the contact is short lived. Jesse is being exploited by his handler Doc (Gerard Plunkett), who uses him as a meal ticket to identify ""marks"" in the audience for robberies. When one of those robberies results in murder, Detective Albrecht turns his attention to Jesse, who seems to have predicted the kill